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Release Date (month/year preferred, day if known) Day 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 / Month 01 02 03 04 05 06 07 08 09 10 11 12 / Year 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025 2026 2027 2028 2029
Product Description:
For most film and television shows, the assets associated with their creation: the costumes, sets and props, are used once and then discarded or returned to dusty storerooms for possible future reuse. Fans of the BBC’s 'Doctor Who' series, however, have enjoyed a series of one-off and semi-permanent exhibitions which played host to the variety of props, costumes and, of course, the monsters which had appeared on screen.Indeed, the very existence of these exhibitions allowed for the preservation of items which might otherwise had been destroyed or thrown into skips to become land-fill. They also shed light on the talents of the BBC’s various propmakers, costumiers and contractors, whose work can be admired when these incredible pieces of television history go on display.From the earliest displays at the Daily Mail Exhibitions of 1964 and 1967, through the glory years of 1973 to 1985, when 'Doctor Who' was a permanent feature of trips to Longleat House in Wiltshire, and Blackpool’s Golden Mile. From the exhibition at Llangollen from 1995 to 2003, to the modern displays in Blackpool, Brighton, London, Cardiff and other locations up until 2017. Bedwyr Gullidge explores over 50 years of 'Doctor Who' exhibitions, sharing the stories of the people who constructed and ran them, and of course the fans who visited.This is the ultimate guide to what was on display and when, with detailed notes of how the exhibitions changed over the years, how their very existence encouraged the BBC not to destroy and discard their assets, and instead to allow them to be seen and appreciated by viewers
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